Essay name: Musical Instruments in Sanskrit Literature
Author:
S. Karthick Raj KMoundinya
Affiliation: University of Madras / Department of Sanskrit
The essay studies the Musical Instruments in Sanskrit Literature and its relationship with the South Indian musical tradition. The study emphasizes the universal appeal of music and documents how it pervades various aspects of life, art, literature, painting, and sculpture.
Chapter 4 - A comparative study of the references to Musical Instruments
19 (of 39)
External source: Shodhganga (Repository of Indian theses)
Download the PDF file of the original publication
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The ensemble (palliyam) where the instruments (t眉mpu, mulavu
and cillari) blend with each other is compared with the union of the
male and female elephants.
喈氞瘑喈编喈ㄠ疅喁堗喁� 喈喈熰喈瘖喈熰瘉 喈曕喈苦喁� 喈瘉喈｀喁嵿喁嵿喈苦畾喁堗喁嵿喈曕瘝
喈曕瘉喈编瘉喈ㄠ瘑喈熰瘉喈ㄠ瘝 喈む瘋喈瘝喈瘖喈熰瘉 喈瘉喈脆喁佮喁嵿喁佮喈班瘝喈ㄠ瘝喈む喈氞瘓喈瘝喈畷喁�
喈曕喈班瘝喈掂喈赤瘝 喈瘉喈脆畷喁嵿畷喈苦喁� 喈ㄠ瘈喈班瘝喈喈氞瘓喈む瘝 喈む瘑喈掂瘉喈熰瘝喈熰瘉喈瘝
喈む瘒喈班瘓 喈掄喈苦喈苦喁� 喈喈｀畾喁� 喈氞瘈喈班瘝 喈呧喁堗喁嵿喁�
喈氞喈侧瘝喈侧喈� 喈曕喈權瘝喈曕瘉喈瘝 喈氞喈编瘉 喈喁嵿喈苦喈む瘖喈熰瘉
cerina峁璦ip pi峁璱yotu kaliru punarnticaippak
kurune峁璾n t奴mpotu mulavuppu峁嘺rnticaippak
k膩rv膩l mulakkin nirmicait tevu峁弓um
t膿rai oliyin m膩峁嘺c c墨r amaittu
cillari karankum ciru palliyato峁璾
Ettutokai-Akan膩n奴ru-301 (3-Nittilakkovai-lines 16-20)
The Singers (P膩nars) with the harp (Ciriy膩l), that is seasoned is
mentioned here.
喈呧喁佮喁嵿喁佮喁� 喈瘉喈编瘝喈编喈� 喈曕喁佮畽喁嵿畷喁嬥疅喁嵿疅喁佮畾喁嵿畾喁�喈编瘈喈喈脆瘝喈瘝
喈喈｀喁� 喈嗋喁嵿喁嵿喈瘝喈喁嵿畷喈侧喁� 喈夃喈掂
arunturai murriya karunk艒峁弓ucc墨r墨y膩lp
p膩峁嘺r 膩rppappalkalam utavi
Ettutokai-Akan膩n奴ru-331 (3-Nittilakkovai-line 10)
The harp well tuned (naly膩l), the drum (mulavu) with its leather
well fastened is explained along with the Singer.
喈喁嵿喈瘓 喈ㄠ喁嵿喈距喁嵿喁� 喈喈｀喁娻疅喁� 喈掂喈氞喈喈｀
喈喁嵿喈距喁� 喈瘉喈脆喈苦喁� 喈曕喁嵿喈む喈班瘝喈ㄠ瘝喈む瘉 喈囙喈瘝喈�
pannamai naly膩lp p膩峁嘺notu vicipi峁噄
man峁嚹乺 mulavin kannatirntu iyampa
Ettutokai-Akan膩n奴ru-346 (3-Nittilakkovai-lines 13,14)
