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Essay name: Musical Instruments in Sanskrit Literature

Author: S. Karthick Raj KMoundinya
Affiliation: University of Madras / Department of Sanskrit

The essay studies the Musical Instruments in Sanskrit Literature and its relationship with the South Indian musical tradition. The study emphasizes the universal appeal of music and documents how it pervades various aspects of life, art, literature, painting, and sculpture.

Chapter 2 - Origin and evolution of Music and Musical instruments

Page:

88 (of 99)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Warning! Page nr. 88 has not been proofread.

103 2
.20 Grammar and Musical Instruments:
The Vyākaraṇa (Grammar in Sanskrit) is associated with
Sabdabrahman. Worship of the Nādabrahman, which is the goal of
music, is a branch of this.
11 "
Śiva temples have a mantapam (pavilion or hall) called
Vyākaraṇa-danamantapa". In Tamil it has come to be called
vākkaṇikkum mantapam ". There are such halls in many temples in the
Cola territory of Tamilnāḍu. One such is in Tiruvorriyur near Madras.
Why should there be a mantapa for grammar in Śiva temples? What is
Śiva's connection with language? The following verse gives a clue:
नृत्तावसान� नटराजराज� ननाद ढक्काम� नवपञ्चवारम� �
उद्धर्तुकामः सनकादिसिद्धनेताद्विमर्शे शिवसूत्रजालम� �
[nṛttāvasāne naṭarājarājo nanāda ḍhakkām navapañcavāram |
uddhartukāma� sanakādisiddhanetādvimarśe śivasūtrajālam ||
]
At the conclusion of His cosmic dance, Lord Siva sounded His
drum 14 times. Naṭarāja has a drum in one hand, called the Dhakka or
Damaruka. The Tāla of this drum (the time kept by it) is in keeping with
the "footwork" of the dancing god, the movement of his feet.
When Nataraja danced like this, Sanaka and his brother sages,
Patanjali, Vyāgrapāda and so on stood round him, and watched this awe
inspiring dance. Visṇu played the drum called the Maddala, while
Brahma kept time.

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