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Essay name: Musical Instruments in Sanskrit Literature

Author: S. Karthick Raj KMoundinya
Affiliation: University of Madras / Department of Sanskrit

The essay studies the Musical Instruments in Sanskrit Literature and its relationship with the South Indian musical tradition. The study emphasizes the universal appeal of music and documents how it pervades various aspects of life, art, literature, painting, and sculpture.

Chapter 2 - Origin and evolution of Music and Musical instruments

Page:

72 (of 99)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Warning! Page nr. 72 has not been proofread.

87
Sonnerat (Paris, 1782), who has done research on this subject, says
that, a musical instrument with a bow, by name 'Rāvaṇāstram' has
existed in Hindustan more than 5,000 years ago. There is a great
probability that the fiddle originated in Hindustan, for Sanskrit scholars
inform us there are names of the bow, which cannot be less than 1500 to
2000 years old. These names are Koṇ�, Gārika, and Parivāda.
There are also sculptures found in our temples that go to support
this argument. The Agastisvarar temple in the Thirumalakudalu district
of Mysore has an image of a lady playing a musical instrument with a
bow, carved on a stone pillar. Historians say that this carving is more
than 1000 years old. Thus, these facts may be called to bring home the
fact that instruments similar to the violin had appeared in India before
the European violin arrived.
2.16.10 Plucked Instruments (Other than Vīṇ�):
Gottuvadyam is also one of the earliest instruments and was
known as Mahā Nataka Vīṇ� earlier. There are instruments called
Villadi Vādyam, Eḍakka (in Kerala) and Gettu Vādyam, which are
essentially percussion instruments and not suitable for playing music.
Villadi Vādyam has been used in "Villu Pāṭṭu" and even today there are
a few exponents of Gettu Vādyam.
The various forms of Yāzh and Vīṇ� have developed to reflect and
heighten various aspects of music. It was a result of such developments
that the Vīṇ� that we see today has come out of the Kachchapi Vīṇ� in a
much-improved fashion.

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