365bet

Essay name: Musical Instruments in Sanskrit Literature

Author: S. Karthick Raj KMoundinya
Affiliation: University of Madras / Department of Sanskrit

The essay studies the Musical Instruments in Sanskrit Literature and its relationship with the South Indian musical tradition. The study emphasizes the universal appeal of music and documents how it pervades various aspects of life, art, literature, painting, and sculpture.

Chapter 2 - Origin and evolution of Music and Musical instruments

Page:

44 (of 99)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Warning! Page nr. 44 has not been proofread.

62
The vibration of certain substance creates sound. The sound
creating substances are many, but a few were known in the early days of
the human history. The tightly stretched string, for example, is one,
which is known from very early days. Some sounds producing
membrane (tightly stretched) or an enclosed column of air are perhaps
the earliest forms of musical instruments. Man learnt to play them to his
tunes along with the clapping of hands and stamping of feet.
The history of Indian musical instruments can be gathered from
various sources such as Literature (classical, folk, general, music) and
Visual representations (paintings, sculptures, and reliefs).
The Vedic literature describes drums covered with the skins of
animals, large earthen drums, and many types of stringed instruments.
They were employed during rituals and sacrifices.
The bhūmi-dundubhi, a giant earth drum, consisting of a hallow
pit covered with skin, struck by logs of wood, signaled danger or
approaching enemies with its thunderous and deep resonating pitch.
Vedic singers used the dundhubi, a drum formed out of a hallow tree
trunks with the upper part covered with skin. *
In the Epics, there is mention of use of musical instruments. When
Rāma performed the Aśvameda Yaga, several skilled musicians were
said to have performed. Rāmāyaṇa refers to Viṇ�, Dundhubi, Mrdanga,
Bheri, Ghaṭa, Panava, Paṭaha, and Dindima. When the priests
performed pūjā, their wives were supposed to have played the Vīṇ�.
References have been gren
Page No. 135 and succeeding
on
pages.

Let's grow together!

I humbly request your help to keep doing what I do best: provide the world with unbiased sources, definitions and images. Your donation direclty influences the quality and quantity of knowledge, wisdom and spiritual insight the world is exposed to.

Let's make the world a better place together!

Like what you read? Help to become even better: