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Essay name: Musical Instruments in Sanskrit Literature

Author: S. Karthick Raj KMoundinya
Affiliation: University of Madras / Department of Sanskrit

The essay studies the Musical Instruments in Sanskrit Literature and its relationship with the South Indian musical tradition. The study emphasizes the universal appeal of music and documents how it pervades various aspects of life, art, literature, painting, and sculpture.

Chapter 2 - Origin and evolution of Music and Musical instruments

Page:

40 (of 99)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Warning! Page nr. 40 has not been proofread.

59
The units are called Aksaras and the Ādi Tāla has 8 Aksaras.
The first part of the tāla, which consists of the beating of the palm and
counting, is called Laghu. Here the number of units is 4 (Catuśra) and
the laghu is Catuśra laghu. The Jāti of the laghu determines the Jāti of
the Tāla so the tāla is Catuśra Jāti Ādi Tāla.
The next process of beat and turning the palm is called Druta. It is
done twice, so the tāla has 2 Druta. Thus Catuśra Jāti Triputa Tāla (Ādi)
has one Catuśra Laghu and two Druta. The symbol for laghu is 1 and the
number written beneath it represents the Jāti and the symbol for Druta is
0 and hence, this Tāla will be represented thus 1400.
Thus we understand that a Tāla has a laghu and a Druta and these
are called Angas (parts) of the Tāla. In some cases, there may be half of
Druta, i.e., just the beat of the palm without turning it and is called
Anudruta.
2.15.3 Angas & Jātis:
There are seven basic Tālas that are called Sulādi Sapta Tālas, which
are given, in the following page:
1. Dhruva Tāla
2. Matya Tāla
3. Rūpaka Tāla
4. Jampa Tāla
5. Tripuṭa Tāla
6. Aṭa Tāla
7. Eka Tāla
In a Tāla, the Druta has two units and Anudruta (if it is part of a Tāla)
has one unit and this is a constant. But the units of the laghu vary
according to the Jāti.
MUL
PhD3227

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