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134 different ways. It first explains the Satakas as describing different phases of love, and then goes on to explain them as having a religious and devotional meaning underlying. Beginning. vidya vitarati muktim muktimavidya ca tam bhajisyamah | tha carama ca ramayah saktih sa nah sivam disatu || tadubhayarasaparipatim parihrtavatimimam ramyam | kurute'marusatatikam ++++ kaladharah || yo daurbhagyavatta vibhaktavalitajnanamtatanandathu- rye vatsyayanakamatantra vilasatkelikriyakausalah | vyacakse'tra rasadvayam kavikulalankaracuda啶监ぞmanih srilasriravicandra eva pisunam matsayyatamutsrjan || yadi syatparamanande kamanande ca vasana | tada samsevyatam dhaurastaukeyam kamada sada || 1 H. P. S. nirvighnaprarisitasatakasamaptikamo granyakrdistadevatam kirttayannaha - jyakrstauti | ambika- yah parvatyah kataksah apangadarsanam | ityadi | End. risthamiti sucitam | - anena ca sandarbhena nanavidhan bhagavatadharmin nirupya ramasmaranameva sarvaga Colophon. ityamarusatakavyakhya kamada samapta | samapto'yam granthah | visayah | amarusatakasya stangarapate santipate ca vyakhyanam | No. 3396. ramacaritram va ramayanam | Substance, country-made paper, 12 x 5 inches. Folia, 163. Lines, 11 on a page. Extent, 4, 682 slokas. Character, Nagara. Date, SM., 1866. Place of deposit, Valuchara, Panchayata-pausala. Appearance, fresh. Prose and verse. Sanskrit. Rama-charita, or Ramayana. An extravagant travesty of the divine epic of Valmiki. It was written in Samvat 1652, A. C. 1596, during the reign of the Mughal Emperor Akbar, by Padmadeva Vijayagani. He was a disciple of Rajavijaya Suri, the disciple of Vijayasena Suri, the head of the Tapagachchha. The work is written