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[Full title: 3.7: Different Kinds of Portrait used in Painting (citra) (e): Reflection of Symbolization in Portrait through Painting]

Symbolization is an action of representing something through a symbol or sign.^[1] It is a practice of showing things with symbolic meaning. In the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺, some natural phenomena are referred to be portrayed with the help of symbolization in a picture. According to the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺 darkness of night should be shown with the picture of men approaching their abodes.^[2] In the 惭别驳丑补诲奴迟补, 碍腻濒颈诲腻蝉补 projected the scene of night with a path, persuaded by some love affected women.^[3] According to the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺, Moon light is portrayed with the blooming of water lilies.^[4] In Sanskrit literature, Kavisamaya or poetic convention is used as a technical term to denote certain situations or things or ideas which have no practical cause in reality.^[5]

In the 厂腻丑颈迟测补诲补谤辫补峁嘺, kumuda i.e., water lily is said to be bloomed at night.^[6] A reference of this poetic convention is found in the 苍颈艣腻尘耻办丑补惫补谤峁嘺苍腻 of 碍腻诲补尘产补谤墨.^[7] A picture of well covered person indicates the shower of rain.^[8] In ancient time Brahmins had to be engaged with their daily rituals during evening time. Taking this as a theme the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺 suggests the painters to show the evening time with the picture of the Brahmins who are busy in their rituals of evening and the picture should be adorned with red glow.^[9] B膩nabhatta projects the picture of the evening time with the colour of glowing red as that time the Sun adopts the color like red sandal.^[10] The 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺 has given the idea that the picture of some living beings suffering from heat identifies the sun shine.^[11] Here the living beings and their conditions reflect the environment. Thus the picture or the portrait appears to be realistic.