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Raudrarasa has anger as its 蝉迟丑腻测颈产丑腻惫补. The mythologists are of the opinion that it is of red-colour, Rudra is its presiding deity. Here 腻濒补尘产补苍补惫颈产丑腻惫补 is an enemy and his behaviour or activities are regarded as udd墨panavibh膩vas. Its liveliness may be enchanted by striking with fist, fallings, rudeness, cuttings and tearing, fights and confusions. The contractions of the eye-brows, biting of the lips, swelling of the arms, threatening gestures, boosting, brandishing of weapons, reviling and angry looks etc. are supposed to be its 补苍耻产丑腻惫补蝉, while sternness, flurry, horripilation, perspiration, trembling, intoxication, delirium, impatience etc. are treated to be the 惫测补产丑颈肠腻谤颈产丑腻惫补蝉.^[1]

惭补峁卥丑补办补 employs Raudrarasa in exuberance in canto XVIII. Especially, this sentiment is relished in the description of anger of the 骋补峁嘺蝉. The 骋补峁嘺蝉 are excited with immense anger, when they come to know about the oppression of the demons upon the gods. Their severe anger is marked by their reddish eyes and trembled eye-brows.^[2] The redness of face and eyes is a salient feature of the sentiment of fury and this is the point of difference between Raudra and 痴墨谤补. In both the cases, enemy is the 腻濒补尘产补苍补惫颈产丑腻惫补, but the 蝉迟丑腻测颈产丑腻惫补 in Raudra, is krodha (anger), while, in 痴墨谤补, it is 耻迟蝉腻丑补 (energy).^[3] In the verses, viz. 迟别鈥檏峁�i产丑谤耻^[4]鈥�.., anyonyamardana^[5]鈥�., 办补艣肠颈诲惫颈艣补峁卥补峁璦辫补峁璾^[6]鈥�, 腻驳丑补峁�峁�补测补苍办补谤补迟补濒别苍补^[7]鈥�.., etc. there is the description of the 骋补峁嘺蝉, striking their own shoulders with hands, rubbing of hands, speaking of rude words, striking earth with hands respectively, which are all delineation of Raudrarasa.

Again, in canto, XIX, in the verse 驳丑补峁�峁�补测补迟蝉耻 谤耻峁Ｄ�^[8] 鈥�.., dantak峁�at膩ni tanv膩n膩^[9].鈥�, k膩ntiste峁Ｄ佱箖 ca^[10] 鈥�., 辫谤补办辞辫补辫腻峁璦濒补谤耻肠补蝉迟别^[11].鈥�, kop膩ya samarots膩ha^[12] 鈥�.., there is the sentiment Raudra, of which dantak峁�at膩ni tanv膩n膩鈥�.. is an example of the amalgamation of Raudra with that of 艢峁涐箙驳腻谤补.

The Raudrarasa is also to be met with in some instances of canto XXII, wherein, there is the description of the wrathful activities of the demons, as they notice the onward march of the army of the gods to their cities. Their excitement and anger are very well portrayed by 惭补峁卥丑补办补 in the following stanzas viz. tanni艣amya puravairi峁噊^[13] 鈥�.., and also, XXII. 2-9, m峁沝nata岣� karayuga峁�^[14]....., 办辞辫补辫腻峁璦濒颈尘补蝉补峁僾颈产丑补办迟补迟腻峁�^[15] 鈥�.., 办补濒辫颈迟补艣肠颈谤补尘补测辞^[16] 鈥�.., 驳腻岣峢补辫腻峁璦濒补惫颈濒辞肠补苍补^[17] 鈥�.., te g膩岣峢ag膩岣峢a^[18] 鈥�... It may be noted here that, in the instances of the agitation of the 骋补峁嘺蝉, there is the indications of the destruction of their enemies and also in the furious activities of the demons, there is the hint of self destruction of the enemies of the gods. 惭补峁卥丑补办补 of course, takes recourse to figurative expressions here.

Regarding the examples of the sentiment of fury, B.N. Bhatt and B.C. Mandal are of divergent opinion, Bhatt includes these, under the heroic sentiment, whereas Mandal, not only gives examples, also provides justification for keeping those, under the instances of fury from the standpoint of 痴颈艣惫补苍腻迟丑补, when he mentions about the 蝉迟丑腻测颈产丑腻惫补 or the permanent feeling in these instances, is that of anger, which forms the sentiment of fury. And the difference of the sentiment of fury from that of heroism depends on the very expression of anger, the permanent feeling of the sentiment of fury.^[19] Whatever, 惭补峁卥丑补办补 employs the Raudrarasa aptly in his 艢谤墨办补峁囜弓丑补肠补谤颈迟补, which no doubt enhances the aesthetic beauty of the poem.

Footnotes and references:

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[1]:

raudra岣� krodhasth膩yibh膩vo rakto rudr膩dhidaivata岣�/
膩lambanamaristatra tacce峁ａ弓odd墨pana峁� mata峁�/
尘耻峁ａ弓颈辫谤补丑腻谤补辫腻迟补苍补惫颈办峁泃补肠肠丑别诲腻惫补诲腻谤补峁嘺艣肠补颈惫补/
sa峁僩r膩masa峁僢hram膩dyairasyodd墨ptirbhavet prau岣峢膩/
bhr奴vibha峁単au峁ａ弓hanirda峁兣沘b膩huspho峁璦natarjan膩岣� 膩tm膩vad膩nakathanam膩yudhotk峁�epa峁嚹乶i ca /
补苍耻产丑腻惫腻蝉迟补迟丑腻办峁�e辫补办谤奴谤补蝉补峁卍补谤艣补苍腻诲补测补岣�/
ugrat膩vegarom膩帽casvedavepathavo mada岣� /
moh膩mar峁Ｄ乨ayastatra bh膩v膩 syuvyabhic膩ri峁嘺岣�//
     S膩hityadarpa峁嘺., III. 227-230

[2]:

daityoday膩savarasa峁� 艣rava峁嚹乶utar峁�a-m膩rge峁嘺 te ga峁嘺ga峁嚹� vinip墨tavanta岣�/
rajyadvilocanakapolatal膩岣� skhaladbhirv膩kyairvilolavalitabhru vik膩ram奴hu岣�//
     艢谤墨办补峁囜弓丑补肠补谤颈迟补., XVIII. 1

[3]:

rakt膩syanetrat膩 c膩tra bhedin墨 yuddhav墨rata岣�/ S膩hityadarpa峁嘺., III. 231

[4]:

艢谤墨办补峁囜弓丑补肠补谤颈迟补., XVIII. 2

[5]:

Ibid., XVIII. 5

[6]:

办补艣肠颈诲惫颈艣补峁卥补峁璦辫补峁璾bhruku峁�墨kar膩la-bh膩lasthala岣� kimapi ghoratara峁� babh膩峁�e/
n墨to 谤耻峁Ｄ� kalu峁�at膩峁� sa ha峁環膩tprav墨ro v膩c膩峁� katha峁� tvaparu峁�a峁� prasara峁� vyanaktu// Ibid., XVIII. 7

[7]:

Ibid., XVIII. 15

[8]:

Ibid., XIX. 3

[9]:

dantak峁�at膩ni tanv膩n膩 n峁泃yadbhru da艣anacchade/
krodhakriyaiva s膩 te峁Ｄ佱箖 vallabh膩 samaj膩yata// Ibid., XIX. 5

[10]:

Ibid., XIX. 6

[11]:

Ibid., XIX. 7

[12]:

Ibid., XIX. 8

[13]:

tanni艣amya puravairi峁噊 bala峁� sarvato鈥檖yabhisaratpura岣� pur墨岣�/
mandire峁�u sahasaiva jaj帽ire g膩岣峢aro峁�apa谤耻峁Ｄ� suradvi峁�a岣�// Ibid., XXII. 1

[14]:

Ibid., XXII. 11

[15]:

Ibid., XXII. 16

[16]:

Ibid., XXII. 18

[17]:

g膩岣峢ap膩峁璦lavilocan膩帽cit膩 s膩 cam奴rarucadagray膩yin墨/
bibhrat墨 tulitalohay膩 tvi峁Ｄ� kopap膩vakahasantik膩lipi峁�// Ibid., XXII. 43

[18]:

Ibid., XXII. 48

[19]:

Mandal, B.C., 艢谤墨办补峁囜弓丑补肠补谤颈迟补., page 123