Essay name: Svacchandatantra (history and structure)
Author: William James Arraj
The essay represents a study and partial English translation of the Svacchandatantra and its commentary, “Uddyota�, by Kshemaraja. The text, attributed to the deity Svacchanda-bhairava, has various names and demonstrates a complex history of transmission through diverse manuscript traditions in North India, Nepal, and beyond.
Page 165 of: Svacchandatantra (history and structure)
165 (of 511)
External source: Shodhganga (Repository of Indian theses)
Download the PDF file of the original publication
159
formula procedure from the preceding ascension by means of the
Praṇava�, the text states that it will describe the meditative
progression of the formulæ not in syllables but more. 1 A restating
of the levels of the microcosm and their respective regents
(pp. 216-220) precedes the correlation (pp. 220-225) of the moræ
of the hamsa formula to each level. Along with the number of
moræ, the text includes here as a topic (p.220) the joining, which
evidently reconnects back to sequence in the anukramanikÄ. This
section on the "to be known" closes with a verse stating (p.225)
that once the practitioner knows the procedure using moræ, he
can then pierce the categories with the needle of the formula.
Though repeating here the topics mentioned earlier in the section,
including the pramÄṇam or charting of the microcosmic course
taken by the formula, the verse does not mention the expected
casting off. 2 Understanding the casting off (tyÄgaá¸�), once again, as
the casting off of regents (kÄraṇatyÄgaá¸�), however, enables this
topic to be reasonably included in the topic of the pramÄṇam that
contains a discussion of regents. 3 This verse, therefore, provides
the transition back to the stated sequence of topics.
After a brief theological preface (pp. 226-227) explaining the
tripartite powers underlying the use of the formula, the text
proceeds to describe (pp. 227-232) the psycho-physical techniques
used in its correct manipulation. These include, notably, the divine
figuration (divyam karaṇam) featured in the yogic practices of
1 Referring to p. 162 vs. 258 which describes the utterance as
“varṇoccÄraá¸�" vs. 341 (p.215), an apparent redactorial
harmonization, states in contrast: "hamsayogaá¸� purÄkhyÄtaá¸�
mÄtrÄsamkhyÄ tvathocyate.
2 The pramÄṇam is first mentioned on p.216, vs. 341.
3 V. p.142, vs. 232, which mentions both casting off (tyÄgaá¸�)
and casting off of regents (kÄraṇatyÄgah).
