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叠丑补惫补产丑奴迟颈 is considered to be a great dramatist in classical Sanskrit literature. He is the author of three dramatic compositions viz., 惭补丑腻惫墨谤补肠补谤颈迟补, 惭腻濒补迟墨尘腻诲丑补惫补 and 鲍迟迟补谤补谤腻尘补肠补谤颈迟补. The power of expression displayed in his drama is very attractive. Moreover, his dramas contain depth of thought and grandeur. Numerous references and citations of his compositions have been taken by rhetoricians also in their works at different times.

Among his three compositions the 惭腻濒补迟墨尘腻诲丑补惫补 is a dexterous composition of 叠丑补惫补产丑奴迟颈 where he has shown his dexterity in delineating wonderful love-story of 惭腻濒补迟墨 and Madhava. Being a 笔谤补办补谤补峁嘺 variety, the 惭腻濒补迟墨尘腻诲丑补惫补 has outdone. The plot of the 惭腻濒补迟墨尘腻诲丑补惫补 is not based on any historical event but a work of 叠丑补惫补产丑奴迟颈鈥檚 fertile imagination. In the 惭腻濒补迟墨尘腻诲丑补惫补, Bhavbh奴ti鈥檚 power as a poet have reached culminating point. Hence, in the present work it is endeavoured to present a critical study of the 惭腻濒补迟墨尘腻诲丑补惫补 in five chapters.

The Present work entitled 鈥�惭腻濒补迟墨尘腻诲丑补惫补 of 叠丑补惫补产丑奴迟颈-A Critical Study鈥� is divided into five chapters. The first chapter of this thesis, which gives a short-sketch of 叠丑补惫补产丑奴迟颈鈥檚 ancestors and his life, date and his works. This chapter gives a general resume on the 惭腻濒补迟墨尘腻诲丑补惫补 and the specialities of a 笔谤补办补谤补峁嘺. This chapter also discusses the source of 惭腻濒补迟墨尘腻诲丑补惫补, deviations, innovations made by 叠丑补惫补产丑奴迟颈 and the story in a brief. The second chapter contains a detailed note on the literary study of the 惭腻濒补迟墨尘腻诲丑补惫补. In this chapter various literary elements viz., sentiments, figures of speech, 谤墨迟颈, 驳耻峁嘺, 诲辞峁�a and metres are discussed. The third chapter dealing with the social aspects of the 惭腻濒补迟墨尘腻诲丑补惫补 where four castes and a sub-caste, forms of marriage, various customs and rituals of marriage ceremony, position of women in society, institutions of education, various subjects of study, education in Buddhist monastery during 8^th century A.D are discussed. This chapter also presents the political and economic life of the people of 8 century A.D. The fourth chapter deals with various religious aspects, worship of gods and goddesses, belief in Buddhist doctrine, religious festivals, popular beliefs and practices prevalent in the society, vivid sort of art and architecture, food and drinks, dress and ornaments of people during 8^th century A.D. In the fifth chapter of this thesis, a persuasive conclusion has been given after analysing the various aspects discussed in the preceding four chapters. Finally, it has been concluded that 惭腻濒补迟墨尘腻诲丑补惫补 is a fertile work of 叠丑补惫补产丑奴迟颈.

There are found numerous editions of the 惭腻濒补迟墨尘腻诲丑补惫补. While preparing the dissertation, I have depended primarily on the edition of the 惭腻濒补迟墨尘腻诲丑补惫补 of 叠丑补惫补产丑奴迟颈 edited by M.R. Kale, published by Motilal Banarsidass, for the reference of the texts.

The present work is the result of my own investigation for last five years under the supervision of my revered guide prof. Binima Buzarbaruah. I am highly aware of the probable shortcomings.

Jintu Moni Dutta