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Sculptures seen in and around India, in places like S膩峁僣hi, 惭补迟丑耻谤腻, Amaravati, Nag膩rjunako峁囜笉膩, Ellora, and so on, were well sculpted with knowledge of the 狈腻峁瓂补艣腻蝉迟谤补. The sculptors have also been inspired by the dramatic elements seen in the literary works. Thantonri Perumal temple in 碍腻帽肠颈 is said to have the sculptures related to 惭补迟迟补惫颈濒腻蝉补 prahasana. Temples during medieval period prove that the sculptors had technical knowledge about these art forms.

The Hindu trinities 艢颈惫补, 痴颈蝉峁嘘 and 叠谤补岣�m补 along with their 惫腻丑补苍补蝉, Nandi, 骋补谤耻岣峚 and 贬补峁僺补 respectively are seen in a huge Hindu temple built during the ninth century is seen in Pr膩mba峁嘺n, Central Java. Many dance figures portraying the movement of apsaras and panels showing the Ramayana scenes, which have been the source for the classical dance seen in Indonesia and Thailand. There are also many sculptures portraying the elements of the 狈腻峁瓂补艣腻蝉迟谤补, which proves that this work has spread over all through South-east Asia.^[1] The sculptures should have followed the 尘腻谤驳补 or the 诲别艣墨 forms prevailing in their region.