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The works written by scholars who followed Bharata have given a variety of gaits based on 苍腻峁瓂补, 苍峁泃迟补 and 苍峁泃测补. The movements are based on moods, characterisation, space management, time factor, aesthetics and beauty. 础产丑颈苍补测补诲补谤辫补峁嘺 deals mainly with the animal gaits and some 肠腻谤墨蝉 that are still seen in the regional styles of Bharata苍腻峁瓂补. Gati elements dealt with by Devan膩c膩rya, author of 厂补峁単墨迟补尘耻办迟腻惫补濒墨, has many important aspects to be noted. Excellent moves based on the length and breadth of the stage space known as 苍峁泃迟补gatis and rasagatis are explained. J膩yana鈥檚 is completely based on permutations and combinations of rhythm.

Thus the concept of gati has been dealt with in various centuries by different authors. The meaning of gati has taken various connotations during this period. Thus from the meaning of dramatized style of walking given by Bharata^[1] imitating the movement of animals and birds by 狈补苍诲颈办别艣惫补谤补,^[2] the movement of covering the stage space given by Devanac膩rya,^[3] etc. the term gati has got the meaning of rhythm and tempo based foot-work as given by J膩yana.^[4] Thus, it has to be noted that gati has a wide scope of understanding and choreographic value in a performance.