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"Yat j帽膩tv膩 na punarjanma bhavaty膩r膩dhakasya ca | 膩d膩y膩k峁�asva madhyastha峁� n膩bhip奴rvamata岣�param|| p奴rvam nemes tu tasyaiva yojya峁� n膩bhitrayoda艣aml dvitiy膩d apara峁� var峁嘺峁� sarva艣akty膩tmanepadam|| dvitiya峁� dv膩da艣膩d var峁嘺m dvit墨y膩t prathama峁� tata岣�l pa帽cama峁� ca bahi峁�thebhyas tr墨net膩n viddhi keval膩n|| n膩bhyek膩da艣a峁僢hina峁� dvit墨yam c膩峁ａ弓am膩t tatah | namonama岣� padayuto mantras c膩st膩da艣膩ksarah || asyaik膩rnam padam p奴rvam tryak峁�aram tad anantaram | 峁�a岣峚k峁�aram t峁泃墨yam tu caturtham caturak峁�aram || dvitiyam dvyak峁�aram canyat padob岣� samprakirtitam | trtiyam atha vaksy膩mi mantram mantravidh膩m vara! ||" The Pa帽car膩tra Agama divides a sentence which forms a mantra into four parts called b墨ja, pi峁囜笉a, pada and samj帽膩 and each one of these is in itself effective as a mantra. The first, that is b墨ja, is used independently and also forms the essential part of the mantra. It may be formed from one or two vowels or from a vowel and consonants to become a mantra. Many vowels, letters like pra峁嘺va hrim, aim, kl墨m, gam and so on represent the bijamantra. The consonants which run between the b墨ja and the other parts of the sentence are called pi峁囜笉amantra. The pi峁囜笉amantra has the vowel and all case suffixes and is in the form of praise to the deity and addresses it (example sahasrajv膩l膩ya). Sa峁僯帽膩 mantras consists in the name of a particular deity addressed in the mantra along with the 50