Essay name: Devi Tantra, Mantra, Yantra (study)
Author:
Srider Basudevan Iyer
Affiliation: University of Mumbai / Sanskrit, University Department
This essay studies the history of Devi (the Goddess) in relation with worship using Tantra, Yantra and Mantra. The study explores the concept of the 'Female Principle' or Goddess, examining her role and significance in ancient Indian society.
Chapter 4 - Worship and The Worshipper
27 (of 95)
External source: Shodhganga (Repository of Indian theses)
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Worship & worshipper 328 (v) Rāja veśvā.
(vi)
-
A Rāja veśyā is the one who is free and
independent like a king.
Deva veśvā. - A Deva veśyā is the one who is first united with
the deity in the cakra. Then she unites with the sādhaka in the
sādhaka. The sādhaka does japa and kisses her again and again
in her female organ and forehead and then semen is emitted.
(vii) Brahma veśvā. - A Brahma veśyā is a Kulina woman. She
observes the practices of Kaulamārga.
All the above enumerated veśyās are designated either as Divyasakti
or as Vīrasakti. Apart from the above mentioned, there is another type
known as Dakṣinakauliki.
(viii) Daksinakauliki.
-
A woman who after close
embrace kisses the sädhaka repeatedly and shows the yantra with a
crooked glance is Dakṣiṇakauliki.
Further, it states that, due to difference in function the different Kaula
1 women have different designations. They are as follows -
(i)
Nati. - A beautiful woman from any of the four castes who starts
to dance on seeing the articles of worship.
(ii)
Kāpalikā. - Any beautiful woman of the four castes
(iii) Veśvā. Any beautiful woman of the four castes who desires to
-
have sexual union at the sight of the articles of worship.
(iv) Rājakī. - A good looking woman, of any caste, who on seeing the
articles of worship declares herself as menstruating.
(v)
Nāpitānganā. - The daughter of a napita or barber.
(vi) Yoginī. - A woman in whom there is said to be the union of Śiva-
Śپ.
e
