Essay name: Devi Tantra, Mantra, Yantra (study)
Author:
Srider Basudevan Iyer
Affiliation: University of Mumbai / Sanskrit, University Department
This essay studies the history of Devi (the Goddess) in relation with worship using Tantra, Yantra and Mantra. The study explores the concept of the 'Female Principle' or Goddess, examining her role and significance in ancient Indian society.
Chapter 1 - Introduction
18 (of 55)
External source: Shodhganga (Repository of Indian theses)
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chapter 1. Introduction 18 deliberate avoidance of the left hand in the worship. The Daksinacāra
is also referred to as Samayācāra. Dakṣiṇacāra holds the belief that,
"the idea of Sakti without the one who posses her ie. Śiva .........is
not possible 38,
In Dakṣinacāra permits mainly the symbolic usage of the
paucamakira or the five things beginning with 'ma'. They are
1. Madya or Liquor, 2. MãEsa or Flesh, 3. Mēna or Fish, 4.
Mudrā or Mystic gestures, grains and, 5. Maithuna or
Copulation otherwise known as Latāsādhana.
In right-hand worship, apart from the sädhakas only the spouses of the
sādhakas are allowed in this worship.
峾峦.
a.
39 Vāma means excellent, left; and Vamā means a woman
Vamācāra is the school in which the Saktī or Vāmā alone is the main
or the only deity to whom worship is offered exclusively 40. The
sādhaka's wife is referred to as Saktī. The practitioners of Vamācāra
make explicit use of the left hand in the ritual worship. 'Left' is the
reversal of the convenient as well as the conventional 'right'. A
striking feature of this school is the literal partaking of the Pañca-
Makāras. In Vāmācāra, apart from the use of wine, flesh and fish,
38 Lynda E.Gatwood, Opcit. P.64
39 Apte v.s. the students
40 Vankooji,Worship Of The Goddess According To The Kālikāpurāṇa
