Essay name: Devi Tantra, Mantra, Yantra (study)
Author:
Srider Basudevan Iyer
Affiliation: University of Mumbai / Sanskrit, University Department
This essay studies the history of Devi (the Goddess) in relation with worship using Tantra, Yantra and Mantra. The study explores the concept of the 'Female Principle' or Goddess, examining her role and significance in ancient Indian society.
Chapter 1 - Introduction
16 (of 55)
External source: Shodhganga (Repository of Indian theses)
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chapter 1. Introduction Divisions and classifications of the Agama: 16 Agamas are broadly classified into as vaidika and a-vaidika.
Saiva, Vaisnava and Saktī are referred to as vaidika-agamas whereas
the Jaina-āgamas are classified as a-vaidika-āgamas. Agamas are
also classified into three main types as Siva agama, Sāktā āgama and
as Vaisnava āgamas³5.
35 The āgama literature consists of two main sections known as
pūrva and uttara. The pūrvabhāga discusses temple construction,
image of the deity i.e. both the sculpted one as well as the metal-
casted one, divine sports, the sanctum-sanctorum, various temple
services offered to the deity, various utsavas or temple festivals etc.
The uttarabhāga gives details about dīkṣ�, concept of sthalas,
ācāras, upacāras, āvaraṇas etc...
Nigama.
Nigamas are said to be in the form of commands of the
Goddess and are held as of sacred origin³. Tantra in which the Saktī,
herself is the guru is refered to as Nigama. In nigama Siva is depicted
as a devotee of the Goddess and an earnest pupil who wishes to learn
the secret lore of tantra. Nigama in the ordinary sense of the term
means that which has not come down i.e. that which is divine and
sacred. Further, nigama does not necessarily connote to the sacred
35 Bandapadhyaya Pranab, Opcit, P.7
36 Markendeya purana, Lalita-Sahassranamam cf. Nijagñуā Rūpa Nigama Punyāpunya
Phalaprada.
Ref.
