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According to the rules of the 狈腻峁瓂补艣腻蝉迟谤补 and the Da艣ar奴paka, 厂补尘补惫补办腻谤补 should have four Junctures, i.e.

1. Opening (mukha),
2. Progression (pratimukha),
3. Development (garbha) and
4. Conclusion (苍颈谤惫补丑补峁嘺).

The Juncture of Pause (惫颈尘补谤艣补) is not necessary for the 厂补尘补惫补办腻谤补, as it contains many heroes and the story is a scattered one. It must be observed here that the seed (产墨箩补) cannot be reflected by the causes like grief, passion and anger. There should be three acts in the 厂补尘补惫补办腻谤补 and the first one should be the biggest one, which contains two Junctures called Opening (mukha) and Progression (pratimukha).

Opening Juncture (Mukhasandhi) 鈥�

The Opening Juncture is created by the combination of germ (产墨箩补) and beginning (腻谤补尘产丑补). The germ is the source of many purposes and sentiments. Since the 厂补尘补惫补办腻谤补 consists of many heroes, effects shall be many and different. In the Samudramanthana, though it consists of many heroes and different effects, the main effect is the marriage of 尝补办峁�m墨 and 碍峁涐梗峁嘺.

The churning of the ocean constituting the germ leads to various things along with 尝补办峁�m墨 [as indicated by Padmaka]:

蝉耻谤腻蝉耻谤腻鈥檖颈 vividhal膩bhasamutsuk膩 madhumathanapramathan膩thabramhabhi岣� saha mantrayitv膩 mandaramanth膩nena jaladhimathanak峁泃ani艣cay膩岣� samv峁泃t膩岣�, tattatra phali峁�yati lak峁�my膩 madhumathane premakalpalat膩
  鈥�Samudramanthana, C. Dalal, p.150.

The Opening Juncture continues up to the reaching of gods and demons to churn the ocean. This portion has various purposes. In the prologue, 厂奴迟谤补诲丑腻谤补 indicates that there are twelve heroes in the play, though his eleven brothers wanted to be prosperous all at once. His co-actor 厂迟丑腻辫补办补 suggests that the eleven brothers should take the help of the king Paramardideva, as he is like Samudra or the ocean. Meanwhile, 厂奴迟谤补诲丑腻谤补 remembers that there is a play of 痴补迟蝉补谤腻箩补 called Samudramanthana, which is going to be performed by the order of Paramardideva. In the beginning of the drama, Padmaka, the attendant of 尝补办峁�m墨, enters the stage to present a portrait of 碍峁涐梗峁嘺 to 尝补办峁�m墨, given by 骋补峁単腻. The purpose of presenting the portrait of 碍峁涐梗峁嘺 to 尝补办峁�m墨 is 诲丑补谤尘补艣峁涐箙驳腻谤补. The 诲丑补谤尘补艣峁涐箙驳腻谤补 is sensual desire, though it is not shown directly. This 艣峁涐箙驳腻谤补 is also called prahasana, because it creates laughter through the conversation of 顿丑峁泃颈 and 尝补箩箩腻, whereas the conversation between Padmaka and 狈颈峁ａ弓丑耻谤补办补 is the main laughter scene. The purpose of the conversation is the removal of fever from the wife of Padmaka through the incantation of 狈颈峁ａ弓丑耻谤补办补.

The Progression Juncture (Pratimukhasandhi) 鈥�

According to the Da艣ar奴paka, 厂补尘补惫补办腻谤补 does not contain expansion (bindu), so this Juncture runs only with the action (补惫补蝉迟丑腻), i.e. effort (prayatna).

The Juncture develops with the word of 叠谤补丑尘腻 that:

鈥�udyamam kuru govinda, pur峁嘺k膩mo bhav膩cir膩t鈥�
  鈥�(I.30).

And it ends when the ambition is fulfilled. It continues up to the end of the first act. The first act itself contains two Junctures, viz. the opening (mukha) and the progression (pratimukha). The gods and the demons churn the ocean; things come out one by one, which was their effort.

They got 尝补办峁�m墨, Candra, medicines, Vedas, jewels, poisonand ambrosia:

鈥�sukhayati 尘补苍迟丑补谤补惫腻迟辫补测补艣肠补谤辞鈥檡补尘鈥�
  鈥�(I.39).

The Development Juncture (Garbhasandhi) 鈥�

This is created by the combination of prospect of success (辫谤腻辫迟测腻艣腻) and episode (辫补迟腻办腻). Here the germ is the source of success, which is occasionally lost. The Juncture develops in the second act, where the episode of 碍峁涐梗峁嘺, Vainateya and Bali, a separate story, is described very nicely.

It shows the prospect of success, where 碍峁涐梗峁嘺 has been successful in getting ambrosia pot from Bali:

鈥�p墨y奴峁�ametaddayite, g峁沨膩峁嘺 tvameva p墨y奴峁�amidam 惫峁泃丑腻 me鈥�
  鈥�(II.12).

However, the success seems to be lost when 艢耻办谤腻肠腻谤测补 recognizes Mohanik膩, who is none other than 碍峁涐梗峁嘺,

鈥�dhigdhig sudh膩m 鈥︹�︹�� 惫补颈办耻峁囜弓丑补, yattvam mahil墨k峁泃o鈥檚i鈥�
  鈥�(II.17).

Therefore, the fear of loss is also seen here. It continues up to the end of the second act.

The Conclusion Juncture (Nirvaha峁嘺sandhi) 鈥�

This Juncture is created by the combination of the attainment of the result (辫丑补濒腻驳补尘补) and the denouement (办腻谤测补). The germ is the source of success. It covers the total third act. At the beginning, the fear of loss has been depicted when 艢耻办谤腻肠腻谤测补 comes in the form of 艢颈惫补, to get back ambrosia. However, 碍峁涐梗峁嘺 recognizes him through the meditation and tells him to go back; as otherwise, he has to face the anger of 艢补峁卥补谤补. Then he leaves the place immediately. Meanwhile, 痴补谤耻峁嘺 and Samudra reached and Samudra distributed things obtained from manthana to appropriate gods. For instance, 尝补办峁�m墨 to 碍峁涐梗峁嘺, Candra to 艢颈惫补, 痴腻谤耻峁嚹� to 痴补谤耻峁嘺, 顿补峁囜笉补 to Yama, both 础颈谤腻惫补迟补 and 鲍肠肠补颈艣谤补惫补蝉 to Indra. At the end, Samudra requests all gods to have ambrosia, which would make them immortal and youthful.

This is the attainment of the result by the gods鈥�

鈥�adya tvay膩 pramathan膩tha, 办峁泃补岣� k峁泃膩rtho鈥︹�︹��yadd膩t峁泃膩mupagato鈥檚mi kimanyad墨he鈥�
鈥�(滨滨滨.13).