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Rules of the 狈腻峁瓂补艣腻蝉迟谤补:

In the 狈腻峁瓂补艣腻蝉迟谤补 (XX. 8-9, 99-104, XXI.44), Bharata defines that

1) Prahasana is of two varieties, i.e. pure (艣耻诲诲丑补) and mixed (蝉补峁僰墨谤峁嘺).

2) The pure type should have the characters like Mendicants, Sages, Brahmins and others. Their conversation should be humorous, which is usually used by low and mean persons.

3) The mocking words can be used in abundance, but there should be proper language and behavior. It should have planned and purposeful plot full of humour and emotion.

4) The mixed type should have the characters like courtesans, paramour, eunuch, lecher, rogueand harlots. They should be recognized from their flashy and colourful costume. There activities are also bizarre and courageous.

5) One could use the things related to the worldly behavior and connection with fraud in the Prahasana, where the rogue and parasite engage in quarrel.

6) In Prahasana, a poet can use ancillaries of the 惫墨迟丑墨 as per requirement.

7) The Prahasana should be composed without using gay style (办补颈艣颈办墨惫峁泃迟颈).

8) The Prahasana should have two junctures, i.e. Opening (mukha) and Conclusion (苍颈谤惫补丑补峁嘺)and also verbal style (产丑腻谤补迟墨惫峁泃迟颈).

Rules of the Da艣ar奴paka:

In Da艣ar奴paka (III.54-56), 顿丑补苍补帽箩补测补 states that

1) Farce (prahasana) is similar with 叠丑腻峁嘺 (tadvat) in plot, juncture, gentle dance, act and style should contain is of three types, i.e. regular (艣耻诲诲丑补), modified (惫颈办峁泃补) and mixed (蝉补峁僰颈谤峁嘺).

2) The regular one contains heretics (辫腻峁�a峁囜笉墨), Brahmins (vipra), servants (肠脓迟补), serving maid (肠别峁���) and parasites (惫颈峁璦).

3) It should be full of humour and with appropriate costume and language.

4) The modified type of Prahasana contains eunuchs, chamberlains and ascetics.

5) It should have the language and dress like those of desired persons.

6) The mixed Prahasana follows some characteristics of the 惫墨迟丑墨and is having the characters like rogues etc.

7) The Prahasana should include the six fold of comic sentiment.

Difference between the rules of the 狈腻峁瓂补艣腻蝉迟谤补 and those of the Da艣ar奴paka:

1) Bharata states Prahasana to be only of two types (艣耻诲诲丑补 and 蝉补峁僰墨谤峁嘺) but 顿丑补苍补帽箩补测补 states it to be of three types adding modified (惫颈办峁泃补) with pure (艣耻诲诲丑补) and mixed (蝉补峁僰墨谤峁嘺).

2) Bharata includes Vi峁璦 and servant like characters in the mixed type of Prahasana, whereas 顿丑补苍补帽箩补测补 includes them in pure type of Prahasana. Therefore, 顿丑补苍补帽箩补测补 states that the mixed should have the ancillaries of V墨th墨 and filled with rouges. Bharata states that Bh膩rat墨v峁泃ti should be implemented in the Prahasana; however, 顿丑补苍补帽箩补测补 completes this saying 鈥�tadvat鈥�, means Prahasana should follow 叠丑腻峁嘺 in plot, juncture, act, style and gentle dance, but Bharata did not mention about the act and gentle dance.

3) Bharata has not mentioned the six type of comic sentiments, stated by 顿丑补苍补帽箩补测补, which are to be implemented in the Prahasana.

4) 顿丑补苍补帽箩补测补 states that 惫墨迟丑测补峁単补蝉 should be implemented in the mixed type of Prahasana, but Bharata states that they should be implemented only in the suitable cases.

Rules followed by the Mattavil膩sa Prahasana:

1) The Mattavil膩sa Prahasana of Mahendravarman is a pure (艣耻诲诲丑补) type of Prahasana.

2) Bharata accepts that the pure (艣耻诲诲丑补) type of Prahasana should have the characters like Brahmin, sages and mendicants. However, 顿丑补苍补帽箩补测补 states that ascetics, eunuchs and chamberlains should be in the modified (惫颈办峁泃补) type of Prahasana. The Mattavil膩sa Prahasana contains the characters like mendicants (碍腻辫腻濒颈办补), Buddhist monk (狈腻驳补蝉别苍补) and mad man (Unmattaka), therefore, according to Bharata, the Mattavil膩sa is a pure type of Prahahasana and according to 顿丑补苍补帽箩补测补, it is a modified type of Prahasana.

3) In the pure (艣耻诲诲丑补) type of Prahasana, the language and behavior should not be vulgar and should be full of humour. The Mattavil膩sa Prahasana is a descent type of Prahasana by Mahendraverman. It is the story of 碍腻帽肠丑颈 Street. The story involves both Buddhist and 艢aivite characters. There is no vulgarity in its language and behavior. It is a simple comedy.

4) The plot of the Mattavil膩sa Prahasana describes deceits and arrogant deeds such as the involvement of a mad man and the interference of another man.

5) The plot draws from the worldly affairs such as quarrel for a bowl by two mendicants. Both Bharata and 顿丑补苍补帽箩补测补 accept the use of 惫墨迟丑测补峁単补蝉 in Prahasana. However, their opinions are different. 顿丑补苍补帽箩补测补 states that the 惫颈迟丑测补峁単补蝉 should be used for mixed (蝉补峁僰墨谤峁嘺) type of Prahasana; but Bharata states that it can be used in any type of Prahasana as per necessity.

The 惫墨迟丑测补峁単补蝉 are thirteen in number, i.e.,

1. Speech with a hidden meaning (耻诲驳丑腻迟测补办补),
2. Unexpected turn (avalagitam),
3. Unworthy Praise (辫谤补辫补帽肠补),
4. Triple explanation (trigatam),
5. Deception (chalam),
6. Witty retort (惫腻办办别濒墨),
7. Out鈥搗ying (adhibalam),
8. Abrupt remark (驳补峁囜笉补尘),
9. Re-interpretation (avasyandita),
10. Riddle (苍腻濒颈办腻),
11. Incoherent talk (补蝉补迟辫谤补濒腻辫补),
12. Humourous speech (惫测腻丑腻谤补),
13. Euphemism (尘峁沝补惫补尘).

The Mattavil膩sa Prahasana has used five types of 惫颈迟丑测补峁単补蝉 like:

1. 辫谤补辫补帽肠补,
2. 补蝉补迟辫谤补濒腻辫补,
3. 尘峁沝补惫补,
4. avalagita and
5. 惫腻办办别濒墨.

Unworthy praise (辫谤补辫补帽肠补) 鈥�

It has applied unworthy praise, as 碍腻辫腻濒颈办补, Satyasoma, gives compliment to his companion Devasom膩 that she has gained a rare elegance because of her austerities.

鈥�priye devasome! satyametat, tapas膩 k膩mar奴pat膩鈥︹赌︹赌�r奴p膩ti艣aya岣� k峁�a峁嚹乼 辫谤补迟颈辫补苍苍补岣�鈥�
  鈥揗attavil膩sa, Unni, p.38.

Incoherent talk (补蝉补迟辫谤补濒腻辫补) 鈥�

It has applied incoherent talk, in the form of madman speaking that the ocean sitting on the back of a domestic pig, reached up to the sky, crushed 搁腻惫补峁嘺 and seized the sea monster

鈥�驳谤腻尘补蝉奴办补谤补尘腻谤耻丑测补 驳补驳补苍补尘耻迟辫补迟颈迟别苍补鈥︹赌︹赌�驳丑补峁璷迟办补肠补 iva鈥�
  鈥揗attavil膩sa, Unni, pp.55-6

Euphemism (尘峁沝补惫补) 鈥�

It has applied euphemism, as 碍腻辫腻濒颈办补 criticizes about the practice of the Buddhist monk and says to Devasom膩 that these wrong doers are tormenting and forcing junior fellows to practice celibacy, even as they are putting restrictions on their general behavior.

鈥�nakhalu te 辫腻辫腻 鈥︹赌︹赌�辫谤腻峁噄苍补岣� 辫补谤颈办濒别艣补测补苍迟颈鈥�
  鈥揗attavil膩sa, Unni, p.40).

Coincidence (avalagitam) 鈥�

It has applied coincident as 碍腻辫腻濒颈办补 knows that their begging bowl is lost and was in deep thought that it may have been taken by the street dog or by any Buddhist monk. At the same time, a Buddhist monk enters hiding something under the upper cloth, which creates suspicion in the mind of 碍腻辫腻濒颈办补 and Devasom膩.

鈥�priye! tarkay膩mi 艣奴lyam膩峁僺agarbhatv膩cchun膩 v膩 艣膩kyabhik峁�u峁嚹� veti鈥�
  鈥�Mattavil膩sa, Unni, p.43.

Humorous conversation (惫腻办办别濒墨) 鈥�

It applies humorous conversation, as the conversation between 碍腻辫腻濒颈办补 and 艢腻办测补产丑颈办峁�u creates a good humour, 惫腻办办别濒墨 (Mattavil膩sa, Unni, pp.45-54).

In addition to these 惫墨丑测补峁単补蝉, the Mattavil膩sa betrays the Prahasana elements; i.e. upapatti and 惫测腻丑腻谤补. The best example is the claim of 碍补辫腻濒颈办补 that Buddhists have compiled their scriptures stealing from the Vedanta and the 惭补丑腻产丑腻谤补迟补 and the humourous conversation between 碍补辫腻濒颈办补, 艢腻办测补产丑颈办峁�u and Devasom膩. 顿丑补苍补帽箩补测补 advocates to use gentle dance in Prahasana as in 叠丑腻峁嘺, whereas Bharata is silent, but in Mattavil膩sa Prahasana it is just reflected.