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Cidgaganacandrika (study)

by S. Mahalakshmi | 2017 | 83,507 words

Cidgaganacandrika 17 [The visible form of Amba as Fire, Water and Earth], English comparative study extracted from the two available commentaries—the Divyacakorika and the Kramaprakashika. The Cidgagana-candrika is an important Tantric work belonging to the Krama system of Kashmir Shaivism. Written by Kalidasa (Shrivatsa) in 312 Sanskrit verses, it deals with the knowledge regarding both the Macrocosmic and Microcosmic phenomena

This book contains Sanskrit text which you should never take for granted as transcription mistakes are always possible. Always confer with the final source and/or manuscript.

Verse 17 [The visible form of as Fire, Water and Earth]

Sanskrit text, Unicode transliteration and English commentary of verse 17:

यत� तमोऽन्यदिह तत� क्षितेर्वपुः सत्त्वमन्यदि� तेजस� शिवे �
मिश्रणोत्थमितरद्रजस्तयोस्त्वत्कसत्त्वजमत� गुणत्रयम� � १७ �

yat tamo'nyadiha tat kṣitervapu� sattvamanyadiha tejasa� śive |
miśraṇotthamitaradrajastayostvatkasattvajamato guṇatrayam || 17 ||

Comparative analysis of commentaries and excerpts in English:

[The visible form of as Fire, Water and Earth]

Next, Śپ is invoked by the name . says that the three ṇās are her three fold divine body both the Invisible and the Visible. When she is in the state of Tamas or Darkness she represents ṛt󱹾-Tattva, (Earth). Her ٳٱ body is Tejas or Agni; The mixture of both is Rajas. All the three ṇās are born of her quiet nature- ŚԳ or Ś. So she gradually creates and evolves in her ŚԳ form (calm state) as Fire to Water and then to Earth. While destroying she is in her Ugra or (Fierce) form. Thus, the world exists by her ٳٱ nature, but in the physical form of the three ṇās.[1]

Three ṇa forming the Gross elements viz., fire water and others.

The three ṇa, which emerge from the Pure Sattva, the abode of i.e. ī form, transform into the Gross elements (Pañca mahābhūtas)[2]. Due to the change undergone in Tamas—Darkness, the form of ṣiپ (ṛt󱹾) is formed with the qualities of being inert and hard. Change undergone in Sattva—Bright results in formation of Tejas (Fire) having the qualities of brightness and lightness. The mixture of these twoٳٱ and Tamas, which is Rajas, gets transformed into the rest of the three Ѳūٲ (, Ā and Jala). has the quality of movement and felt by touch. Ā has the quality of being a medium for sound. Jala has the quality of being the medium for taste.

These ṇa form the three facets of the divine form of ī the supreme (Para), invisible (ūṣm) and visible (ٳū). All these ṇa emanate from her ŚԳٲ form (Ś). A gradual process of manifestation from Fire to Water and then to Earth is from her ŚԳٲ form. Destruction on the contrary is from her terrible form. Thus the Pure ٳٱ ŚԳٲ form undergoes transformation into the physical forms of the three ṇa experienced in the empirical universe.

Notes and Sanskrit references:

[1] Cf. [Divyacakorikā] p 40-[侱岵ԲԻ] 17.�

vāgarthayoreva guṇatrayasūkṣmarūpatā� vivicya bhūtatrayasya guṇatrayasthūlarūpatāmāha.

[2] Cf. [Kramaprakāśikā] p 12-[侱岵ԲԻ]-17.�

tvadīyaviśuddhasattvasamuttha� bhūtānā� bhautikānā� cāśeṣāṇā� kāraṇībhūta� guṇatrayami

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