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the Mrcch there is a reference to music and singing.
It is significant to note in this connection that Bh膩sa
uses no musical term, while 艢奴draka employs the terms
'm眉rcchana' (III. 5), and 'kakali' (M峁沜ch p. 53), which
shows that the latter "improved upon Bh膩sa, the
improvement consisting in the insertion of the musical
terminology to make them [i. e. the statements of his
predecessor] more effective".鹿
3. The elaborate and exhaustive description
of the various courts of Vasantasen膩 as given in the
Mrcch (Act IV, p. 78-86) corresponds closely with the
Brhatkatha Slokasamgraha thus indicating a late date
for the Mrcch, while the Car has only a few sentences for
the same ( p. 97 啶呧す啷� 啶椸ぃ啶苦�嗋さ啶距ぁ啶膏�嵿じ 啶膏じ啷嵿じ啶苦ぐ啷�啶呧う啶� 啷� 啶｀ぞ啶｀ぞ啶�啶熰�嵿�熰ぃ啶� 啶�啶距�椸う啷囙す啶�
啶嗋�嗋ぎ啶苦�忇す啶� 啶�啷佮い啷嵿い啶� 啶掂ぞ啶堗�呧え啷嵿い啶� 啷� 啶膏�傕お啷嵿ぐ啷嬥�溹�呧え啷嵿い啶� 啶� 啶嗋す啶距ぐ啶�啷嵿お啶距ぐ啶距ぃ啶� 啷� 啶掂��啶｀ぞ 啶掂ぞ啶︵��-
啶呧え啷嵿い啶� 啷� 啶膏�佮さ啶｀�嵿ぃ啶嗋ぐ啶� 啶呧げ啶權�嵿�曕ぞ啶班お啷嵿お啶嗋ぐ啶距ぃ啶� 啶嗋う啶班�囙�� 啶溹�嬥�溹え啶ㄠ�嵿い啶� ) [aho ga峁噄膩v膩岣峚ssa sassir墨ad膩 | 峁嚹佱箛膩pa峁�峁璦峁嘺sa m膩gadehi
膩膩miehi putta膩 v膩墨anti | sa峁僷rojaanti ca 膩h膩rapp膩r膩峁噄 | v墨峁嚹� v膩d墨-
anti | suva峁囜箛a膩r膩 ala峁卥膩rappa膩r膩峁噄 膩dare峁嘺 jojananti )] ; but we would
not thereby place S奴draka to a period later than
B峁沨athatha Slokasamgraha, as is suggested by Dr. Keith,
especially on account of the probability of S奴draka's
having access to the original of the Brhatkatha.
4. The Mrcch betrays full
astrology in the sixth act edge of planetary
act (vv 9, 10). There is no
corresponding portion of the C盲r available for comparison
with the former, but in general it may be stated, having
regard to the scanty knowledge which Bh膩sa possesses
about astrology (i. e., nak峁�atras and not r膩艣墨s) it seems
safe to presume that the later acts of the Car also did
not have references to such developed stage of astrology.
On this ground, Mr. Sankar fixes the lower limit of
艢奴draka as 505 A. D., but this is doubtful. This much,
however, is certain that the Car is considerably earlier.
5. Opinion is unanimous that the Mrcch shows
a deeper sympathy towards Buddhism. The author of
the Car is a champion of orthodox Brahmanism and, in
the other plays of the group, tries to ridicule the Buddhist
monk wherever he finds an opportunity. Cf. C膩r, p. 74.
啶曕い啷嵿い啶掂�嵿く啶曕ぐ啶む�嵿ぅ啷�啶曕た啶︵じ啶權�嵿�曕う啷� 啶掂た啶多�嵿�� 啶膏�氞た啶掂じ啶�啶｀�� 啷� [kattavyakaratth墨kidasa峁卥ado vi艣ra sacivasama峁嘺o | ] Samv膩haka leaves
Vasantasen膩 to turn a Parivr膩t in the Car, while in the
Mrcch he becomes a Sakyasrama峁嘺ka. This has led
Mr. Sankar to say that the Car represents a later stage
1 Bhide, Svapna, Intr. p. 26. 2 HSL, p. 271. 3 AMV, 2. p. 64.