Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥極ther varieties of Kalahantarita鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
Go directly to: Footnotes.
Part 10 - Other varieties of 碍补濒补丑腻苍迟补谤颈迟腻
Examples of the other varieties of the 碍补濒补丑腻苍迟补谤颈迟腻 character of woman heroine:
艢峁涐箙驳腻谤补尘补帽箩补谤墨 gives two varieties of a 碍补濒补丑腻苍迟补谤颈迟腻鈥�
1 莫谤峁腻 碍补濒补丑腻苍迟补谤颈迟腻
啶堗ぐ啷嵿し啷嵿く啶距啶侧す啶距え啷嵿い啶班た啶むぞ鈥�
啶啶班た啶ぎ啶ㄠ啶啶距え啷嵿い啶距じ啶曕啶む 啶ぐ啶距き啷傕く 啶ざ啷嵿啶距い啷嵿い啶距お啶掂い啷� 啶堗ぐ啷嵿し啷嵿く啶距啶侧す啶距え啷嵿い啶班た啶むぞ 啷�墨谤峁腻办补濒补丑腻苍迟补谤颈迟腻鈥�
priyamanyak膩nt膩sakta峁� par膩bh奴ya pa艣c膩tt膩pavat墨 墨r峁膩kalah膩ntarit膩 |[1]The heroine, who turns away her hero out of jealousy as a result of his interest in another lady and then repents, is called a 莫谤峁腻 碍补濒补丑腻苍迟补谤颈迟腻.
Example:
啶溹た啶樴啶班え啷嵿い啷� 啶啶椸ぎ啶︵啶ㄠ啶︵え啶距え啷佮げ啷囙お啶� 啶曕ぞ啶ㄠ啶むぞ啶權啶椸じ啷嵿ぅ啶苦い啶た啶︵ぎ啶ㄠ啶え啶距く啶苦啶距く啶� 啷�
啶い啷嵿さ啷囙い啶� 啶啶班た啶ぎ啶掂ぎ啶む啶� 啶灌え啷嵿い 啶ざ啷嵿啶距い啷嵿じ啶ㄠ啶むぞ啶 啶う啶� 啶膏ぎ啷佮お啷堗し啶� 啶むえ啷嵿え 啶啶曕啶むぎ啷� 啷�jighrant墨 m峁沢amadacandan膩nulepa峁� k膩nt膩峁単asthitamidamanyan膩yik膩y膩 |
matveti priyamavamatya hanta pa艣c膩tsant膩pa峁� yadi samupai峁 tanna yuktam ||[2]These are the words of the sakhi鈥擧aving smelt the musk and sandal of the other woman on him, she insulted and sent him away only to repent later.
2 Pra峁嘺ya 碍补濒补丑腻苍迟补谤颈迟腻
啶啶班ぃ啶啶侧す啶距え啷嵿い啶班た啶むぞ鈥�
啶膏啶掂ぞ啶溹啶炧啶侧啶侧啷嵿啶ㄠ啶ㄠた啶む啷嬥お啷囙え 啶ㄠぞ啶啶� 啶ぐ啶苦き啷傕く 啶ざ啷嵿啶距い啷嵿い啶距お啶掂い啷� 啶啶班ぃ啶啶侧す啶距え啷嵿い啶班た啶むぞ 啷�辫谤补峁嘺测补办补濒补丑腻苍迟补谤颈迟腻鈥�
sv膩j帽olla峁単hanajanitakopena n膩yaka峁� paribh奴ya pa艣c膩tt膩pavat墨 pra峁嘺yakalah膩ntarit膩 |The heroine who turns away her lover in anger, as her commands have not been followed by him is called a Pranaya 碍补濒补丑腻苍迟补谤颈迟腻.
Example:
啶曕ぅ啶お啶� 啶膏啶�! 啶曕啶班啶∴ぞ啶曕啶ぞ啶︵啶掂啶班啷囙い啶� 啶く啷嬥う啶苦い啷� 啶曕啶苦え啶灌啶︵く啶� 啶多く啷嵿く啶距 啶む啶啷嵿い啷嵿さ啶� 啶げ啶距う啷嵿啶� 啶忇さ 啶膏 啷�
啶囙い啶� 啶膏ぐ啶じ啶� 啶о啶掂じ啷嵿い啶啶班啶啶｀た 啶掂啶お啷囙い啶樴啶｀ 啶膏啶啶灌ぞ啶� 啶啶ㄠぐ啶た 啶灌い啶掂啶班啶∴ 啶氞啶む 啶曕ぐ啷嬥い啶� 啶曕ぐ啷嬥ぎ啶� 啶曕た啶 啷�kathamapi sakhi! kr墨岣嵞乲op膩dvrajeti mayodite ka峁環inah峁沝aya岣� 艣ayy膩峁� tyaktv膩 bal膩dgata eva sa岣� |
iti sarabhasa峁� dhvastaprem峁噄 vyapetagh峁涐箛e sp峁沨膩峁� punarapi hatavr墨岣峚峁� ceta岣� karoti karomi kim ||[3]O friend! out of feigned anger I asked him to stop and leave and that cruel hearted one also got up from bed and immediately left though he did not want to. Like this without thinking if a person can ruin the game of love and be indifferent to me, yet if my shameless heart wants him, then what am I to do? Please tell.
Footnotes and references:
[1]:
艢峁涐箙驳腻谤补尘补帽箩补谤墨, 28.
[2]:
Ibid., cxlix. 28.
[3]:
础尘补谤耻艣补迟补办补, xv. 29.