Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楨xamples of Pragalbha Khandita鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
Go directly to: Footnotes.
Part 8 - Examples of 笔谤补驳补濒产丑腻 碍丑补峁囜笉颈迟腻
Examples of the 笔谤补驳补濒产丑腻 variety of the 碍丑补峁囜笉颈迟腻 character of woman heroine:
啶膏ぎ啶距啷嵿ぐ啶距え啷嵿い啶� 啶掂啷嵿し啶多啶氞ぐ啶｀啶げ啶距げ啶曕啶む啶班じ啷� 啶班啶掂た啶啷嵿し啶啶班啶じ啷嵿く啶距 啶曕啶粪啶た啶むす啷冟う啶ぞ 啶掂啶曕啶粪啶� 啶膏啶氞た啶班ぎ啷� 啷�
啶椸た啶班ぞ 啶むえ啷嵿さ啷嵿く啶� 啶むえ啷嵿さ啷� 啶い啶苦ぎ啶膏す啶ぞ啶ㄠぞ啶む啶ぎ啷佮啷佮ぐ啷� 啶啶栢 啶︵ぐ啷嵿ざ啶� 啶︵ぐ啷嵿ざ啶� 啶む啶班お啶い啶� 啶膏啷� 啶膏啶ㄠ啶︵ぐ啶啶栢 啷�sam膩kr膩nta峁� vak峁艣cara峁嘺kamal膩laktakarasai rvipak峁preyasy膩岣� k峁bhitah峁沝ay膩 v墨k峁a suciram |
gir膩 tanvy膩 tanv墨 patimasaham膩n膩tmamukure mukha峁� dar艣a峁� dar艣a峁� trapayati sakh墨 sundaramukh墨 ||[1]The hero comes with marks of red Lac on his chest. The agitated 苍腻测颈办腻 seeing for a long time shows the mirror to him again and again to make him feel ashamed.
啶ぞ啶啶︵啶掂啶曕啶粪啶� 啶掂た啶啷嵿し啶啷嵿し啷嵿ぎ啶侧う啷冟ざ啶� 啶ぞ啶︵ぞ啶啶啶溹ぞ啶侧啷嵿い啶曕-啶班ぞ啶侧た啶啶むぞ啶ㄠえ啶ぞ啶ㄠい啷�啶曕啶むぎ啷佮啷� 啶氞た啶む啶班ぞ啶班啶た啶む啶掂ぞ啶さ啶む 啷�
啶班 啶曕啶粪 啶ㄠ啶曕啶むさ啶む 啶� 啶掂ぞ 啶曕啶むさ啶む 啶ㄠた啶多啶掂ぞ啶膏啷嬥し啷嵿ぃ啷� 啶︵啶多 啶啶班ぞ啶むぐ啷嵿ぎ啶權啶椸げ啶啷嵿啶ㄠぞ啶曕ぐ啶むげ啶距う啶距う啶班啶多ぎ啶距う啶班啶多く啶む 啷�m膩mudv墨k峁a vipak峁pak峁alad峁浥沘岣� p膩d膩mbuj膩laktakai-r膩lipt膩nanam膩nat墨k峁泃amukh墨 citr膩rpitev膩bhavat |
r奴 k峁峁� noktavat墨 na v膩 k峁泃avat墨 ni艣v膩sako峁ａ箛e d峁浥沘u pr膩tarma峁単alama峁単an膩karatal膩d膩dar艣am膩dar艣ayat ||[2]The guilty 苍腻测补办补 tells his friend: Seeing my face red with the marks of the feet of the other woman, in the morning; she bent her head and stood like a picture. She neither spoke with anger nor did her eyes turn red, nor did she heave a sigh, she showed me the mirror in her hand instead.
啶膏啶ぞ啶灌ぃ啶膏啶灌ぐ啶膏い啷嬥じ啶苦啶� 啶︵啶む啶� 啶む啶� 啶曕ぐ啷� 啶侧啷嵿啶 啷�
啶氞ぐ啶｀啶� 啶掂た啶曕啶曕ぎ啶距啶掂啶掂啶班た啶呧ぎ啶｀啶掂啷嵿啶苦啶� 啶むた啶膏啶膏ぞ 啷�
(啶膏啶掂ぞ啶灌え啶班じ啶む啶粪た啶む啶� 啶︵う啶むぞ 啶むさ 啶曕ぐ啷� 啶侧ぞ啶曕啶粪ぞ啶� 啷�
啶氞ぐ啶｀啶� 啶掂た啶曕啶班ぎ啶距う啶苦い啷嵿く啶氞ぐ啶苦い啶え啷佮さ啶班啶むた啶む 啶むじ啷嵿く啶距 啷�)sa峁僢膩ha峁嘺suharasatosie峁嘺 dete峁嘺 tuha kare lakkham |
cara峁噀na vikkam膩ivvacariama峁噓va峁弓ia峁� tiss膩 ||
(sa峁僾膩hanarasato峁tena dadat膩 tava kare l膩k峁Ｄ佱箖 |
cara峁噀na vikram膩dityacaritamanuvartita峁� tasy膩岣� ||)[3]The lac from her feet on your hands, tell the story of Vikramaditya and the pleasure of riding.
Footnotes and references:
[1]:
搁补蝉颈办补箩墨惫补苍补, I. lxii. 11.
[2]:
搁补蝉补尘补帽箩补谤墨, xlvi. 126.
[3]:
搁补蝉补肠补苍诲谤颈办腻, 25.