Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楨xamples of Samanya Vipralabdha鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
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Part 9 - Examples of 厂腻尘腻苍测腻 痴颈辫谤补濒补产诲丑腻
Examples of the 厂腻尘腻苍测腻 痴颈辫谤补濒补产诲丑腻 character of woman heroine:
啶曕お啶熰さ啶氞え啶ぞ啶溹ぞ 啶曕啶ㄠ啶苦う啷嵿さ啶距ぐ啶啶粪ぞ 啶膏啶侧ぐ啶膏た啶曕啷嬥し啷嵿啷�啶掂啷嵿啶苦啶距さ啶炧啶氞た啶むぞ啶膏 啷�
啶囙い啶� 啶掂た啶灌じ啶むた 啶班た啶權啶椸う啷嵿き啷冟啷嵿啶掂た啶曕啶粪た啶啶む啶曕啶粪 啶班啶掂た啶曕啶曕啶膏啶啶距え啷嵿い啶苦啷嵿啶︵啶え啶� 啶曕啶侧た啶曕啶炧啶溹 啷�kapa峁璦vacanabh膩j膩 kenacidv膩rayo峁Ｄ� sakalarasikago峁ａ弓h墨va帽cik膩va帽cit膩sau |
iti vihasati ri峁単adbh峁涐箙gavik峁ptacak峁 rvikacakusumak膩nticchadman膩 keliku帽ja岣� ||[1]The courtesan, who was adept in deceiving her whole lot of lovers, was for once cheated by someone. The bower seems to have eyes like the bees and laughed at her with full blown flowers.
啶す啷佮い啶班ぇ啶ㄠう啶距え啶氞啶涏う啷嵿ぎ啶ㄠぞ 啶掂ぞ啶班く啷嬥し啶� 啶膏さ啶苦え啶ぎ啶ㄠ啶ㄠ啶むぞ 啶曕啶侧た啶曕啶炧啶� 啶溹啶距ぎ 啷�
啶呧す啶�! 啶椸す啶ㄠう啷佮啶栢さ啷嵿く啶距啷佮げ啶� 啶掂啶曕啶粪啶� 啶多啶ㄠ啶 啶曕げ啶い啶� 啶ぐ啶苦い啶啶むぞ啶權啶椸ぞ啶班ざ啷冟啷嵿啶距ぐ啶多啶ぞ啶 啷�bahutaradhanad膩nacchadman膩 v膩rayo峁Ｄ� savinayamanun墨t膩 keliku帽ja jag膩ma |
ahaha! gahanadu岣havy膩kul膩 v墨k峁a 艣奴nya峁� kalayati paritapt膩峁単膩ra艣峁涐箙g膩ra艣obh膩m ||[2]The courtesan went to the empty meeting place and was deeply saddened.
Footnotes and references:
[1]:
搁补蝉补尘补帽箩补谤墨, lviii. 145.
[2]:
搁补蝉颈办补箩墨惫补苍补, lxxvii. 13.