Essay name: Architectural data in the Puranas
Author:
Sharda Devi
Affiliation: Himachal Pradesh University / Department of History
This essay studies ancient Indian architectural science as found in technical treatises and the Puranas, with special reference to the Matsya, Garuda, Agni and Bhavishya Puranas. These texts detail ancient architectural practices, covering temple and domestic designs, dimensional specifications, and construction rules.
Chapter 1 - Introduction
29 (of 40)
External source: Shodhganga (Repository of Indian theses)
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29
wells. 120
The AP calls Viśvakarmā the creator of thousand silpas (crafts)
121 with the help of which men earn their living. The GP also speaks of
Viśvakarmā as the famous silpin of the gods. 122 From the Mahābhārata,
we learn that Prabhāsa was the father of Viśvakarmã and his mother was
the sister of Brhaspati. As in the AP here also he was called the creator of
thousand silpas, which were used by men as the means of their livelihood.
123 The Mānasāra holds that of the four architects created from the four
faces of Brahmā, the creator of the universe, the first was Viśvakarmā.
124 In Bharata's Nāṭyaśāstra we find Brahmā asking Viśvakaramā to build a
theatre hall. In a short time, the divine architect was able to construct an
auspicious house, suitable for the theatrical purposes. 125 In the
Rāmāyaṇa, we find Viśvakarmā building the city of Lankā for the dwelling
126 of the Rāksas. He also constructed palaces for the sage Agastya,
128 127
for
Sūrya¹ and for Kubera. 129 It was he who had constructed the divine
130 chariot (Puspaka-ratha) for the god Brahmā. In the Skanda Purāṇa,
Viśvakarmā is described as building a meeting-place, at the request of
Himālaya. Not only did he constructed a charming meeting-place, but
adorned it with many figures of horses, peacocks and deer. He also put
there the beautiful images of various gods. In Srimad Bhāgavata we read
that Viśvakarmā also built a charming palace for Krsna.
