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鲍诲产丑补峁璦 (c. 8th century -9th century A.D.), in his 碍腻惫测腻濒补峁僰腻谤补蝉腻谤补蝉补峁僩谤补丑补, follows 叠丑腻尘补丑补 closely in defining and illustrating poetic figures. He has also elaborated some of the poetic figures defined by 叠丑腻尘补丑补. His originality can be seen in the slight alterations he makes in the definitions of 叠丑腻尘补丑补. He has sometimes rejected some 补濒补峁僰腻谤补蝉 that are treated by 叠丑腻尘补丑补 (like yamaka, 耻辫补尘腻谤奴辫补办补 etc.) and on the other hand he adds some 补濒补峁僰腻谤补蝉 of his own (like 辫耻苍补谤耻办迟补惫补诲腻产丑腻蝉补, 办腻惫测补诲峁涐梗峁�膩n迟补 etc.) which were invariably accepted by later rhetoricians. Alike 叠丑腻尘补丑补, 鲍诲产丑补峁璦 also hardly distinguishes 驳耻峁嘺 and 补濒补峁僰腻谤补. 鲍诲产丑补峁璦 considered that 驳耻峁嘺s and 补濒补峁僰腻谤补蝉 were essentially of the same nature, both being the inherent beautifiers of poetry. But they belong to different elements of poetry. The 驳耻峁嘺s belong to both word and sense together, while the 补濒补峁僰腻谤补蝉 belong to either word or sense separately. Prat墨h膩rendur膩ja, a commentator on 鲍诲产丑补峁璦, points out that 驳耻峁嘺s are the primary beautifiers of poetry.

The 补濒补峁僰腻谤补蝉 generate further beauty to poetry which is already beautified by the 驳耻峁嘺s鈥�

驳耻峁嚹佱弗 khalu 办腻惫测补艣辞产丑腻丑别迟补惫辞 诲丑补谤尘腻岣� / te ca m膩dhuryauja岣� pras膩dalak峁�a峁嚹佱弗/ ye峁Ｄ佱箖 tu gu峁噊pajanita艣obhe k膩vye 艣obh膩ti艣ayahetutva峁� te'la峁僰膩r膩岣�/
  鈥敯�腻惫测腻濒补峁僰腻谤补蝉腻谤补蝉补峁僩谤补丑补 (of Udbha峁���) varga-I, Prat墨h膩rendur膩ja鈥檚 commentary, p-17.

The suggested sense is altogether included in the 补濒补峁僰腻谤补蝉. This is because the suggested sense or 鈥�惫测补峁単补鈥� sense is only a beautifier of the expressed sense or the 鈥�惫腻肠测补鈥� sense. The 补濒补峁僰腻谤补蝉 like 耻辫补尘腻, 耻迟辫谤别办峁Ｄ� etc exist even when they are known by suggested sense as well as when they are expressed.