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Much has been written on Hindu Temples. Fergusson, Havell Kramrish, Brown and a host of noted savants have contributed to this theme in their standard works on Indian architecture and sculpture. 鈥�Hindu Temple鈥� by Kramrisch is a remarkable exposition of a specialised undertaking. The present writer therefore is bound to be benefited, very much from these 鈥�笔奴谤惫补-蝉奴谤颈蝉鈥�. As he is primarily a student of the canons of Hindu architecture, sculpture (iconography) and painting, what are termed as 痴腻蝉迟耻-艣腻蝉迟谤补, 艢颈濒辫补-艣腻蝉迟谤补 and Citra-艣腻蝉迟谤补, naturally his angle therefore must be coloured more by manuals than monuments. Accordingly in the previous chapters, an attempt has been made to study the canons of Temple Architecture, and the same theme may be continued in a pronounced way in relation to the monuments, the representative illustrations of the different types of temples that are described in these treatises on 痴腻蝉迟耻-艣腻蝉迟谤补. Hence the presentation of this dissertation is bound to be different from those that are found in the text books of the subject by contemporary writers.