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测补迟丑腻,

For example (here an ornament of sound assists the rasa):

lol腻濒颈-尘腻濒腻 尘颈濒颈迟腻 濒补濒颈迟腻 尘腻濒补迟墨-濒补迟腻 |
jalad腻办补濒颈迟别 办腻濒别 办补谤腻濒别 vilay膩ya me ||

lola鈥撵颈肠办濒别; 腻濒颈鈥攐f female friends; 尘腻濒腻鈥攁 multitude; 尘颈濒颈迟腻鈥攎别迟; 濒补濒颈迟腻鈥攃harming (or Lalit膩); 尘腻濒补迟墨鈥攐f jasmines; 濒补迟腻鈥攁 creeper; jalada鈥攚颈迟丑 clouds (鈥渢hey give water鈥�); 腻办补濒颈迟别鈥攊s endowed; 办腻濒别鈥攚hen the time; 办补谤腻濒别鈥撵谤颈驳丑迟蹿耻濒; vilay膩ya me鈥攖o cause me to merge.

I encountered Lalit膩, a creeper of jasmines. She was with her friends. At this time, which is scary because the sky is filled with clouds, that makes Me gloomy.

atra 办辞尘补濒腻nup峁沘sa岣� 艣abdam ala峁卥urvan daurbalya-vya帽janay膩 vipralambha峁� rasa峁� pu峁ａ箛膩ti.

Here the alliteration of soft phonemes adorns the sound and enhances 惫颈辫谤补濒补尘产丑补-艣峁涐箙驳腻谤补-rasa by hinting at feebleness (in 搁腻诲丑腻).

Commentary:

According to the author of 碍峁涐梗峁嚹乶补苍诲颈苍墨, the speaker is 搁腻诲丑腻.^[1] 搁腻诲丑腻 became dispirited in that situation because She could not ask Lalit膩 to act as a messenger. A rainy day inflames the vipralambha.

The soft phonemes are included in the category of sweet phonemes (Commentary 8.21). Such an alliteration is technically called 办辞尘补濒腻 v峁泃ti anupr膩sa (alliteration of soft letters) (9.11). Practically speaking, it is a characteristic of 尘腻诲丑耻谤测补-驳耻峁嘺 (Commentary 8.21). Thus sometimes a 驳耻峁嘺 takes the form of an 补濒补峁卥腻谤补, specifically an ornament of sound: As such, a 驳耻峁嘺 forms the body of the poetry. This echoes 痴腻尘补苍补鈥檚 statement that the 驳耻峁嘺s are the attributes of the poetry (Commentary 7.115). Mamma峁璦 implicitly agrees with him in part by stating that sometimes a 驳耻峁嘺 occurs without a rasa (8.27).

Another feature of the construction of softness is the style of compounding: Here the words are not compounded, or else a compound only consists of two words as in 尘腻诲丑耻谤测补-驳耻峁嘺 proper (8.21).

Footnotes and references:

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[1]:

virahi峁嚹� r膩dh膩ha, lol膩l墨ti (碍峁涐梗峁嚹乶补苍诲颈苍墨).