Vilambita Laya, Vilambitalaya: 1 definition
Introduction:
Vilambita Laya means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
: Shodhganga: Kohala in the Sanskrit textual tradition (ns)Vilambitalaya (啶掂た啶侧ぎ啷嵿が啶苦い啶侧く) refers to one of the three kinds of Laya鈥攖he 鈥済ap (惫颈艣谤腻苍迟颈) between two consecutive 办谤颈测腻蝉 (actions) in a 迟腻濒补 (time-measure)鈥�, according to the T膩lalak峁峁嘺m, a work ascribed to Kohala鈥攁 celebrated authority of the ancient period along with others such as Bharata, Y膩峁ａ弓ika, 艢膩rd奴la, K膩艣yapa etc. The T膩lalak峁峁嘺 explains the importance of 惫颈艣谤腻苍迟颈 between two consecutive 办谤颈测腻蝉 in a 迟腻濒补. He calls this laya. Laya is of three types viz. druta, madhya and vilambita. In drutalaya, the gap between the 办谤颈测腻蝉 is very small.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
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Search found 4 books and stories containing Vilambita Laya, Vilambitalaya; (plurals include: Vilambita Layas, Vilambitalayas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Musical Instruments in Sanskrit Literature (by S. Karthick Raj KMoundinya)
Musical Instruments鈥擠rum making < [Chapter 2 - Origin and evolution of Music and Musical instruments]
Muthuswami Dikshita < [January 鈥� March, 1987]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gaits relevant for sentiments < [Chapter 2 - Concept and technique of Gati]
Gati performed in Dhruv膩-g膩na < [Chapter 3 - Application of gati in D峁浥泍a-k膩vyas]
Gaits according to characters < [Chapter 2 - Concept and technique of Gati]
Markandeya Purana (by Frederick Eden Pargiter)