Sampurnacandra, ūṇaԻ, Sampurna-candra: 1 definition
Introduction:
Sampurnacandra means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Alternative spellings of this word include Sampurnachandra.
In Hinduism
Shaivism (Shaiva philosophy)
: SOAS University of London: Protective Rites in the Netra TantraūṇaԻ (सम्पूर्णचन्द्र) refers to a “full moon�, according to the Svacchanda-tantra.—Accordingly, [verse 7.216cd-217, while describing the meditation on the ṃs]—“After [this, the Yogin] visualizes the heart lotus, with sixteen petals, situated in the opening of the channel that pierces the tube [i.e., the lotus stem. He imagines] a white, radiant, completely full moon (ūṇaԻ�sampūrṇāvayava� candra�), endowed with sixteen parts, and with his body in the shape of a lotus pericarp. [Then, he pictures] the self, It is to be imagined [as seated] in the middle of that [moon], and is as spotless as pure crystal. [The self is] pervaded with ṛt, [which washes over him] in a wave from the ocean of the milky nectar of immortality�.

Shaiva (शै�, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
See also (Relevant definitions)
Partial matches: Sampurna, Candra.
Full-text: Jalapanem.
Relevant text
Search found 2 books and stories containing Sampurnacandra, ūṇaԻ, Sampūrṇa-candra, Sampurna-candra; (plurals include: Sampurnacandras, ūṇaԻs, candras). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
Page 34 < [Volume 1, Part 2 (1904)]
Studies in the Upapuranas (by R. C. Hazra)