Hunchback, Hunch-back: 2 definitions
Introduction:
Hunchback means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Natyashastra (theatrics and dramaturgy)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)The Hunch-back (movement) is associated with PrakampitÄ: one of the “five types of waist-movements â€� (in Sanskrit Dramas), as conveyed through Āṅg¾±°ìÄå²ú³ó¾±²Ô²¹²â²¹: one of the four divisions of Abhinaya or “ways to convey or represent one’s emotion to othersâ€�, according to the NÄá¹yaÅ›Ästra and the ViṣṇudharmottarapurÄṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—The Äåá¹…g¾±°ìÄå²ú³ó¾±²Ô²¹²â²¹ includes the histrionic representation of the limbs which is simply known as physical gestures. The ViṣṇudharmottarapurÄṇa seems to take the word °ì²¹á¹i in feminine gender and makes the divisions of waist movements in feminine gender. The PrakampitÄ represents a slightly shaking movement that should be adopted in the walking of hunch backs, dwarfs and persons of short height.

Natyashastra (नाटà¥à¤¯à¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, ²ÔÄåá¹y²¹Å›Äå²õ³Ù°ù²¹) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shilpashastra (iconography)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)The Hunchback is associated withe the Sentiment of Humour (³óÄå²õ²â²¹), which refers to one of the Nine Sentiments (citrarasa) in ancient Indian Painting (citra), according to the ViṣṇudharmottarapurÄṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—According to the ViṣṇudharmottarapurÄṇa, ³óÄå²õ²â²¹ i.e., the sentiment of humour is reflected through the Painting of a person who is hunchback, dwarfish and somewhat deformed in appearance. [...] Thus, painting is a medium of showing the inner feelings and emotions of a painter which can strikes the inherent sentiments of connoisseur’s mind, for example: hunchback persons in the sentiment of humour.

Shilpashastra (शिलà¥à¤ªà¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, Å›ilpaÅ›Ästra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
See also (Relevant definitions)
Partial matches: Back.
Full-text (+54): Kubja, Kubjaka, Prakampita, Kubada, Kurantarkilavan, Kuniyiral, Hunchback's mother, Kurantippo, Kuprakupri, Kunpantiyan, Kupracupre, Khumle, Kunal, Kupre, Kupro, Kupranu, Kuprinu, Harabange, Kunu, Bemgunu.
Relevant text
Search found 91 books and stories containing Hunchback, Hunch-backed, Hunch-back, Hunchbacked; (plurals include: Hunchbacks, backeds, backs, Hunchbackeds). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Jataka tales [English], Volume 1-6 (by Robert Chalmers)
Jataka 232: VīṇÄ�-Thūṇa-jÄtaka < [Book II - DukanipÄta]
Jataka 78: IllÄ«sa-jÄtaka < [Book I - EkanipÄta]
Jataka 531: Kusa-jÄtaka < [Volume 5]
Village Folk-tales of Ceylon (Sri Lanka), vol. 1-3 (by Henry Parker)
Story 130 - The Hunchback Tale < [Part III - Stories of the Cultivating Caste]
Story 29 - The Pied Robin < [Part I - Stories told by the Cultivating Caste and Vaeddas]
Story 228 - The Gamarala who ate Black Fowls� Flesh and Hin-aeti Rice < [Part III (b) - Stories of the Western Province and Southern India]
Skanda Purana (by G. V. Tagare)
Chapter 203 - Greatness of Maá¹…kīśvara (Maá¹…kÄ«-īśvara) < [Section 1 - PrabhÄsa-ká¹£etra-mÄhÄtmya]
Chapter 23 - The Glory of CakratÄ«rtha: Ä€ditya Gets Golden Hands < [Section 1 - Setu-mÄhÄtmya]
Chapter 34 - Description of Ravi TÄ«rtha < [Section 3 - RevÄ-khaṇá¸a]
Ramayana of Valmiki (Shastri) (by Hari Prasad Shastri)
Chapter 7 - Shri Rama’s coming installation < [Book 2 - Ayodhya-kanda]
Chapter 78 - The hunchback, Manthara, incurs Prince Shatrughna’s displeasure < [Book 2 - Ayodhya-kanda]
Chapter 9 - Queen Kaikeyi is resolved upon her evil design < [Book 2 - Ayodhya-kanda]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 16: Resumption of Nala story < [Chapter III - Vasudeva’s Marriage with Kanakavatī and her Former Incarnations]
Part 7: The sixth spoke < [Chapter XIII - ÅšrÄ« MahÄvÄ«ra’s nirvÄṇa]
Part 10: Story of DevadattÄ and Pradyota < [Chapter XI - The story of Rauhiṇeya]
Ishavasya Upanishad with Shankara Bhashya (Sitarama) (by S. Sitarama Sastri)